Sunday, 1 July 2012


Miss Florrie Tilton

            In 1911 Miss Florrie Tilton, a lady with entrepreneurial flair was living at the Barton Street Baths in Gloucester, with her mother and father who were the superintendents of the establishment. Florrie had succeeded in turning her exhibitions of natation for the local swimming club into a profitable business; thus, she had progressed from local performer to professional aquatic artiste. The family had moved from Salford in Lancashire in about 1906 in order for Frank and Louisa Tilton to take up their posts at the Barton Street Baths. By 1911 the National Census declares twenty year-old Florrie to be a ‘professional swimmer’.[1] Florrie had had a picture postcard of herself taken in order to sell copies to spectators at her exhibitions.
            The written comment by one purchaser of a postcard demonstrates not only the entertainment value of ornamental swimming but also the special status such exhibitors had in the eyes of the public. A public, who generally could not swim as was the case with the owners of this card. The card reads:

Dear Rhoda,
In one of your letters you told us you could swim, we are so shameful to hear of it. There are some large swimming baths here, and we went to see this girl swim, it was last summer she was so clever, and we are sending you the program for you to see what she did. Bertie tells us he can swim; it must be lovely we think.[2]




[1] Tilton, Florence, RG14PN15288 RG78PN925 RD325 SD2 ED8 SN153, 1911 Census Household Transcript.
[2] The postcard is undated but it would suggest that Florrie was exhibiting within the Gloucester and Bristol area c1910.

Miss Annie Luker

            It was possible for professional female swimmers to come from the supporting acts to prominence. On Saturday, January 20, 1894 Miss Annie Luker went up in the world in more ways than one when she performed a high dive into the whale tank at the Royal London Aquarium. Such a feat by a female was a great novelty and, as a consequence she was rewarded with a considerable pay rise. Previously she had been employed as a professional lady swimmer with Captain Boyton’s Water Show on an income of just one-pound per week. Annie’s new role as a diver at the London Aquarium provided her with a significant pecuniary reward of £20 per week ‘in emulation of the male divers at the aquarium’.[1] The pay rise was significant in that it not only made Annie a relatively wealthy young lady but, perhaps more importantly, she provided a role model for other young ladies. A reporter from the Penny Illustrated Paper in 1897 was of the opinion that with the large number of ‘well appointed swimming baths’ in most of the major towns, combined with the ladies-only lessons now being made available, meant that it was now inexcusable that our girls should ‘remain ignorant of swimming.’[2] It was suggested that females in London should go and see Miss Luker in order to behold her wonderful skill in the water and attempt to emulate her.[3]
            Annie was described as ‘a plucky girl, whose venturesome nature led her to perform a too-dangerous feat’ that day at the Royal Aquarium in that she had ‘flung herself from a terrific height’. She had gain entry into a professional career in swimming in common with most males and females at the time by displaying her talent for speed or long-distance swimming. Annie was said to have been a regular long-distance swimmer in the River Thames which had eventually led to her appointment as ‘one of the graceful swimmers’ at Captain Boyton’s Water Show.  This new venture of high diving had the result of propelling Annie into a different social-class both in terms of her new-found fame but also in terms of her earning potential. An income of £20 per-week provided her with a comparative spending power in 2005 of £1,198 per-week which illustrates not only just how dangerous the dive would have been but also provided her with financial security. The Penny Illustrated Paper and Illustrated Times was of the opinion that ‘the performance is too perilous for a girl.’[4]

            By June, 1894 Annie Luker was declared to be a ‘Lady Diver, Champion of the World’.[5] She had quickly become part of a twelve hour continuous show at the Royal Aquarium which was declared to have ‘The Greatest Shows and the Biggest Shillings Worth’.[6] Annie had become part of the Aquariums eclectic mix of variety shows in that she shared the June, 1894 billing with: a boxing kangaroo, a talking horse, performing dogs, as well as comedians, singers, acrobats, ventriloquists, conjurors and dancers. The entertainments were declared to be ‘Unprecedented for Magnitude, Variety and Magnificence’ and ‘free’ once having paid one-shilling for entrance into the large Aquarium building.[7] The swimming feats were provided at 6 pm and 10 pm and included Annie Luker’s champion head dive, Baume’s great Monte Cristo sack feat, and Ben Fuller’s Great Dive through the roof.
            Miss Luker was still appearing in her high diving act in 1900 at the London Royal Aquarium without a break in service since her first dive six years before in January, 1894.[8] She had dived with some of the most notable male divers in the world: Mr James Finney, Mr Ben Fuller and ‘Baume’, all of which had not simply dived from a great height into a shallow tank, but had also been variously set alight, been tied up in a sack or simply dived from the roof. Such feats were performed in the name of entertainment and in order to further sensationalise what was already a most dangerous feat to perform. Such a circumstance begs the question was Annie Luker any less well thought of in performing her head-long dive or was the fact that she was a female enough to set her apart from the rest of her gender and thus allow her to join an elite group of divers. In September, 1900 the Southern Counties Amateur Swimming Association confirmed that the recent ladies swimming races would be ratified in accordance with their rules. The Perseverance Ladies SC had held a challenge race for London ladies with the outcome that Miss Smith of Berry Ladies SC was confirmed as the winner. The results had been questioned simply because the gala had contained an exhibition of ornamental swimming conducted by the professional swimmer Miss Annie Luker, Miss Lake and Baby May who all ‘showed what could be done in the ornamental way.’[9]




[1] The Penny Illustrated Paper and Illustrated Times, Miss Annie Luker, Saturday, January 27, 1894, 57.
[2] Ibid.
[3] Ibid.
[4] Ibid.
[5] The Graphic, Advertisements and Notices, Saturday, June 16, 1894.
[6] The Graphic, Advertisements and Notices, Saturday, September 15, 1894.
[7] Ibid.
[8] The Graphic, Advertisements and Notices, Saturday, January 27, 1900.
[9] The Penny Illustrated Paper and Illustrated Times, Cross-Channel Swimming, Saturday, September 15, 1900, 165.

Miss Agnes Beckwith
            Agnes Beckwith, the ‘pioneer of lady swimmers’ was a supreme champion swimmer and natationist who not only promoted the art of swimming but also pioneered the notion of swimming as a competitive sport for females. She was but one member of a swimming dynasty that provided aquatic entertainments in a variety of venues throughout the second half of the nineteenth-century. The Patriarch, Professor of swimming, Frederick Edward Beckwith, had been a successful speed swimmer as a young man and had moved to London in the early 1840s to seek his fortune as an entertainments promoter and natationist. [1] It is hardly surprising that given the support and protection afforded by the Beckwith Family that Agnes was able to develop her obvious natural abilities as a swimmer within the flourishing new leisure world of the late-Victorian period. Agnes had been introduced into the family business at an early age; in 1873 she had accompanied her father and one of her older brothers, Charles, to perform at the opening of the free open-air swimming baths in Derby. Local MP, Mr Michael Thomas Bass had presented the town of Derby with both the land and the baths; he was said to have ‘taken an interest in the little girl’ and proceeded to make a collection for Agnes raising two guineas for her performance.[2]
            In August, 1874 Professor Beckwith was pushing back the barriers to female involvement by hiring Lambeth Baths for ‘two monster Swimming Fetes, for Ladies as well as Gentlemen’.[3] The Professor had arranged for ‘five of the greatest lady swimmers in England’ to perform/race for £30 in prize money. The public were assured of the utmost probity in that the ladies were to wear ‘University Costume’. The price of admission was set at either one- or two-shillings as no expense had been spared to make Lambeth Baths ‘suitable for these great events.’[4] There was clearly a conscious effort being made to ensure that such events were seen to be ‘respectable’ with the insistence on specific costumes being worn and the setting of an entrance fee that would permit only ‘gentlefolk’ of either gender to witness the entertainment.
            In 1875 Professor Beckwith had introduced his 14 year old daughter to the general public when Agnes gave an exhibition of long-distance swimming in the River Thames. This publicity stunt guaranteed his protégée celebrity status from this point on in her professional career and certainly acted as a focus when publicising the family’s aquatic entertainments for the rest of the nineteenth-century. Agnes was described as a ‘professional swimmer’ at the age of fourteen by the New York Times who reported her solo effort of swimming from London Bridge to Greenwich, a distance of five miles.[5] The added interest to this episode was that some days later Miss Emily Parker succeeded in swimming from London Bridge to Blackwall, a distance of seven miles. Such competitions typified this age of professional ‘swimming challenges’ and was significant because the challengers were such young female professional swimmers.[6]  As with Agnes, Emily also came from a famous swimming family who were attempting to profit from long-distance swimming challenges, ‘the mania of the hour’. The Graphic newspaper reported both exhibitions of long-distance swimming as admirable as they exemplified the young ladies endurance and skill but caustically added, ‘we hardly like young ladies indulging in this public exhibition of their natatory abilities.’[7] However, this was not a universal view held by the media as The Penny Illustrated Paper reported that the events:
… should make swimming popular enough among the girls. Clad in such tasteful costumes de bain [bath] as these young lassies, both under fifteen years of age, wore during their river swims, young ladies ought to be able to enjoy bathing at the seaside far more than they do in the ugly gowns custom makes them wear.[8]
In 1876 there was speculation that Agnes would attempt to swim the English Channel but this only served to keep her name in the public spotlight. Her efforts were now attracting a mixed response from the media:
Ladies who would learn to swim, take lessons of Miss Beckwith! Miss Agnes, now you have given such ample proofs that you are a duck of a girl, stick to your proper vocation – that of teaching your sex to swim.[9]
            What newspaper commentators on such exhibitions failed to appreciate was that Agnes was a professional swimmer who had a living to make by plying her trade in all forms of natation open to her. Her gender and professional standing would not be allowed to interfere in her ability to entertain the general public and to be paid an income commensurate with such sporting activities. In 1878 Agnes continued her mastery of the River Thames by swimming twenty-miles of its length from Westminster Bridge to the Pigeons at Richmond and back with the tide to Mortlake. The reporter from The Penny Illustrated Paper was now referring to the ‘sweet seventeen’ year-old Miss Beckwith as the ‘Lambeth naiad’ who ‘swims twenty miles with wondrous ease in the Thames.’[10] Undoubtedly such exploits served to popularise ‘the art of swimming’ amongst ladies in general and gradually enable ladies-only sessions in public baths to be common place in the 1890s. But, for now, female swimmers had to satisfy themselves with access to ladies-only sessions in a minority of baths who had acknowledged the demand from a significant minority of female natationists.




[1] See David Day, The ‘Beckwith Frogs’, History Workshop Journal, Issue 71, February 25, 2011.
[2] The Derby Mercury, Opening of the Free Public Baths, Derby, Wednesday, June 18, 1873.
[3] The Era, Professor Beckwith, Sunday, August 23, 1874.
[4] Ibid.
[5] New York Times, A Lady’s Seven Miles’ Swim, September 20, 1875, 5
[6] See Christopher Love, ‘Social Class and the Swimming World: Amateurs and Professionals’, International Journal of the History of Sport, 24, No.5, 2007, 603-619
[7] The Graphic, Swimming, Saturday, September 11, 1875
[8] The Penny Illustrated Paper, The Swimming Feats of Miss Beckwith and Miss Parker, Saturday, September 11, 1875, 174.
[9] The Penny Illustrated Paper, Followers of Captain Webb, Saturday, July 08, 1876, 23.
[10] The Penny Illustrated Paper, Saturday, July 27, 1878, 61.

Miss Ada Webb

            Miss Ada Webb was both a natationist and acrobat who had the foresight to turn to theatrical management as she got older and less able to perform. Her performances in water were limited to that of ornamental swimming as part of a variety show either on stage in music halls or in a circus ring. During the August Bank Holiday period in 1887 Ada appeared at the Alexandra Palace entertaining some 18,000 visitors with her underwater feats that day.[1] The spectators for such entertainments were often hard to please but Ada appears to have found favour with her audiences. A commentary on events at the Washington Theatre for May, 1888 provides an insight into the type of acts that were popular with their patrons and also just how hard it was to please them. The musical introduction by Mr English, a comic singer and actor, was said to be over long and he had to ‘work hard’ in order to gain the audiences plaudits. A less inviting spectacle was a boy climbing a pole balanced on the shoulder of a Japanese man. The crowd were ‘better pleased’ by the feats of Miss Ada Webb who was described as a ‘young nageuse [swimmer]’ who ‘displayed her graceful form in some tank evolutions.’ Her deeds involved eating and drinking underwater followed by ‘various other feats requiring endurance and aptitude, and gained an encouraging reception.’[2]
            In a summary of the major acts performing within London Music Halls in 1888, Miss Webb warranted mention immediately after a description of the internationally renowned singer, Miss Marie Lloyd. Ada was described thus:
Miss Ada Webb shares with Britannia the title of “Empress of the Sea”. She has dived into the sea from a height of fifty-six feet, and therefore claims the distinction of being the champion lady diver of the world. Her underwater feats in the tank are those to which music hall audiences have become accustomed, and her symmetrical form lends grace and attractiveness to her various posings in the crystal tank.[3]
Ornamental swimmers were very popular with music hall audiences throughout the 1870-1910 periods and, as a consequence, females had the potential to make a very good living on the music hall circuit.
            In September 1890 it was revealed that Ada had saved the lives of three ladies who had got into trouble in the Bromley Swimming Baths. The Royal Humane Society was to award a ‘testimonial’ at the Tivoli Theatre where she was currently appearing. The account of the event was short on detail and possibly designed to promote the career of Ada perhaps? It would appear that Ada had dived into the pool fully clothed and saved three ‘exhausted’ ladies from possibly drowning. One of the ladies, we are informed has only just recovered from ‘the effects of immersion’ and had recently sent a cheque to Ada for the purchase of a new dress.[4] Such feats of bravery appear to have been rather commonplace with professional natationists who were not only described as being mystical creatures but also heroines.
            As an illustration of just how important it was for swimming clubs to provide other forms of entertainment at their swimming galas other than the races, the St. George’s Swimming Club, Sunderland had obtained the services of Ada Webb in October, 1891. She was appearing at the local People’s Palace and with the permission of the music hall’s proprietors, was allowed to give an exhibition at the club’s annual gala to be held at the Corporation Baths. In return for providing the gala with such a major coup as the services of Miss Webb, the members and officials of all the town’s swimming clubs provided the music hall proprietors with a ‘complimentary benefit’ evening.[5]
            For the 1892 season Ada had enlisted the assistance of another ornamental swimmer in her act. Miss Elsie Le-Bert was a younger swimmer who would help maintain an interest in the feats undertaken within the ‘crystal tank’.[6] In January, 1895 Miss Webb, ‘Queen of the Crystal Tank’ was appearing at Oldham, Lancashire in Ohmy’s Circus with her ‘Troupe of Charming Lady Swimmers’.[7] The names of ‘Florence, Louis and Elba’ appear as ‘the smartest aerial act in the world’.[8] Ada appears to have created a troupe of performers under her name that could perform both in the water and in the air. Her popularity was such that in April, 1895 Ada and her troupe were heading the bill with the Transfield’s Circus in Limerick, Ireland.[9]


[1] Lloyd’s Weekly News, Bank Holiday Amusements, Sunday, August 7, 1887
[2] The Era, The London Music Halls, The Washington Theatre, Saturday, May 19, 1888.
[3] The Era, The London Music Halls, Saturday, November 10, 1888.
[4] The Era, Music Hall Gossip, Miss Ada Webb, Saturday, September 20, 1890.
[5] The Era, Amusements in Sunderland, People’s Palace, Saturday, October 31, 1891.
[6] The Era, Amusements in Leeds, Princess’s Palace, Saturday, May 21, 1892
[7] The name ‘Ohmy’ came from the owners tight rope act at Raikes Hall Pleasure Gardens, Blackpool when the crowd would exclaim, oh my! This exclamation gave him (name not known) the name for his circus.
[8] The Era, Advertisements and Notices, Saturday, January 5, 1895.
[9] The Era, Provincial Theatricals, Limerick, Saturday, April 13, 1895.

Miss Marie Finney

            Yet another member of the elite band of ornamental swimmers was Miss Marie Finney who was born in Southport in 1872 but she learned how to swim in Oldham where her brother, James, aged 15 in 1877 had been employed at the local swimming baths as a teacher of swimming.  James was a successful ornamental swimmer and diver, and by 1885 he was being called a ‘Professor’ of swimming.[1] He was a successful promoter and manager of their aquatic affairs. By 1891 they were both living in London, employed as teachers of swimming and using Wandsworth as their home base. Marie had built up a formidable reputation as a diver having dived off London Bridge; the only girl (she was seventeen at the time) to have completed the feat. She was described as ‘the best ornamental swimmer of her sex, but is also a fast swimmer of considerable distinction.’[2] She had dived off the pier at Llandudno, a height of fifty-four feet into only twelve feet of water and in 1894 she had repeated the feat at Blackpool off the North Pier.[3] A report of Miss Finney’s exploits at the Tower Circus for 1898 suggests that she would ‘make her graceful dive of over 60 feet into six feet of water.’[4]
            In November 1888 James Finney was appearing at the Oxford Music Hall displaying his skills in a ‘remarkably clever and interesting diving performance in company with his charmingly graceful young sister – a veritable Lurline of the tank.’[5] The ‘wonderful subaqueous performance’ by the Finney’s involved diving to the bottom of the glass tank where he would proceed to pick up coins in his mouth. His sister would then join him in enacting the ‘legend of the bewitching Lurline of his pretty sister’. The performance was said to be a ‘picturesque and unsurpassed aquatic performance’. The Journalist from the Penny Illustrated Paper sets a rather erotic scene when he describes Miss Finney as a ‘pretty sister,  who looks the most captivating of undulating river sprites, as, her brown hair floating like a fairy coronal, she hovers over her sleeping brother’,  a ‘bewitching Lurline’.[6]
            In 1894 Marie was presented with a ‘beautiful diamond and gold brooch’ in appreciation of her efforts in the inaugural season at the Blackpool Tower Aquatic and Variety Circus.[7] The gift, presented by the Blackpool Tower Company, was surely an indication as to her importance in that the Johnson Sisters had only received gold curb bracelets. Mary was a diver and part of her act was to dive some sixty feet into the circus-rings water tank. It was reported that both Professor Finney and Miss Finney were leaving Blackpool for the USA where they would be appearing for eight weeks at Koster and Bial’s Theatre in New York.[8] They appeared on the same bill as the famous Marie Lloyd, ‘the London Music Hall singer’.[9] This was followed by an appearance at the New York Athletic Club’s ladies day where they gave ‘an exhibition of swimming’.[10]
            The Finney Family appeared at the Blackpool Tower the following season where Miss Finney is described as giving ‘a pretty natatorial exhibition’ with her ‘graceful dives from the roof’. Professor James Finney performed with his ‘three little daughters’ (Maud, Vera and Ethel who were aged 10, 7 and 5 respectively).[11] They were in good company, performing along with such well known names as the Sisters Johnson, and Joey Nuttall who was the Champion speed swimmer of the world.[12] This was an indication of the Towers ability to attract the best aquatic acts to perform at the Circus twice daily for a whole season.


Mary diving from the North Pier, Blackpool, c1890.
 


[1] A. Frost, ‘History of the County Borough of Oldham Baths and Wash-House’, 91-4.
[2] The Marvel, A Champion Swimmer, July 02, 1898.
[3] Pick-Me-Up, Our Photo Competition, London, Saturday, June 09, 1894, Issue 297, 159
[4] Blackpool Gazette, Our Entertainers, The Tower Circus, Friday, August 05, 1898.
[5] The Penny Illustrated Paper and Illustrated Times, Professor James Finney, Issue 1433, Saturday, November 17, 1888.
[6] Ibid.
[7] The Era, Saturday, October 6, 1894
[8] Ibid.
[9] New York Times, Notes of the Stage, Wednesday, October 14, 1894. 13.
[10] New York Times, Lady’s Day at the Club; New York Athletic Club’s Entertainment Enjoyed by Many, Wednesday, October 14, 1894, 13.
[11] The Era, Amusements in Blackpool, Circus Tower, Saturday, July 6, 1895.
[12] Blackpool Tower Company, ‘The Tower, Blackpool Programme’, August 19, 1895, 3